Kissing Ilaria Goodbye by Hilary Sideris

$20.00

Kissing Ilaria Goodbye is a chronicle of a modern woman’s divorce, happening at the same time as her growing disenchantment with her society, culture, and country. This book will hurt while it makes you laugh and will also make you queasy about the sorry pass things have come to in what passes for culture and government today in America. Pungent and poignant, the poems deliver sly, hard jabs to gut, heart and brain. Their subtly-engineered free verse reminds me that poetry’s art, deeper than formal meter or rhyme, lies in placing the fewest-possible best words in the best order, and that the best poems in general always show rather than tell.

Many people and things get skewered here, often hilariously. One is our current leadership, where “fools in charge / / confuse transgenic mice with / transgender men.” (“Testosterone”) Also spitted by the speaker’s wry wit are fascism, identity politics, oligarch billionaires, botched phlebotomies, and technology’s debasement of popular culture and morality (“TikTok Wives”). But the speaker’s central focus is her own marriage and divorce, especially the divorce. The title poem “Kissing Ilaria Goodbye” is gorgeously heartbreaking. Elsewhere, the speaker uncomfortably couch surfs the un-air-conditioned flats of “married friends with funds” who are visiting the same idyllic locales she once honeymooned in and now sees on those friends’ TVs. (“Paxos” and “Toilet Paper”) Through her eyes we see single women forced into aging ungracefully in our patriarchal society, facing late-life dating indignities (“Spandex” and “Bikini Wax”), and having to wonder if testosterone might have been just the ticket for saving our marriages.

In short, what gets gloriously gutted here is humanity—ever naïve, venal, vain, and in all ways absurdly flawed. What saves the poems from being elitist is how the speaker so often impales herself as well, falling for the lures of a new car, uncomplicated sex, and garbage TV. What saves the poems from vitriol is their surprising tenderness. Reading them, we understand not just why this speaker divorced her husband (and might not mind divorcing her entire country), but also why she first fell in love.

Reading these poems, you’ll remember that some themes are eternal: love’s inevitable disillusionment, the vast human capacity for hypocrisy. They’ll teach you some Italian and Greek, with their skillful interweaving of words and phrases from those languages, maybe offering consolation for these trying times: “My marriage & my country failed. / / Now I have / time to study Greek.”  (“Louloudia”). The poems are easy to read, not because they are simple but because of their witty, plainspoken lucidity. What makes them unique is the way their high-octane acid bath is infused with compassion for the hapless absurdity of what it means to be woman, and a human, in America, today.

—Rebecca Foust, author of YOU ARE LEAVING THE AMERICAN SECTOR: Love Poems (Blue Light)

Description

  • Kind: Perfectbound
  • Pages: 100
  • Language: English
  • Date Published: July 10, 2026
  • ISBN   978-1-962847-57-5

Praise

Hilary Sideris’s wonderful new book Kissing Ilaria Goodbye explores marriage, divorce, memory, and identity through poems brightly alive with humor, longing, and linguistic play. Moving between Brooklyn, Rome, and Greece, this sharp-eyed collection follows the speaker and her husband Vincenzo through arguments, cultural misunderstandings, television binges, medical anxieties, political absurdities, and moments of tenderness. Sideris blends multilingual wordplay with references ranging from Pinocchio and Mastroianni to TikTok, therapy, and online dating. These poems are punchy and profound, both funny and fiercely moving. Kissing Ilaria Goodbye is a terrific meditation on intimacy, self, and our roiling modern world. —Jennifer Michael Hecht, author of Who Said (Copper Canyon)

 Kissing Ilaria Goodbye is a swift kick to self-delusion as the speaker’s marriage crumbles. Prepositions get in the couple’s way and their car is an English-only zone. The speaker’s Texan mother maddens her Italian son-in-law whose own mother loved Mussolini and starved during the war. Despair sticks in the speaker’s throat like anchovy bones that “can’t be washed down” but she stays calm, signs papers with a banker’s pen, admits her daughter’s throuple “sounds like too much work” and grazes on dating sites. There is the neighbor “with benefits” and Romanian gemologist she studies like a bug under glass. There’s the self-conquest of bikini wax, tweezing and lubricant. There is brilliant irony and soaring, lyrical analysis. There is humility, biting humor, exquisitely sculpted lines, gesture and resolve. I want everyone to read this book. —Lynn McGee, author of Science Says Yes (Broadstone)

Excerpt

Flaco the Owl Is Dead

We both adored the freed Eurasian
eagle-owl with huge orange eyes,

whose name meant skinny in Spanish,
who peeked through high windows,

wowed West Side birders with his rat-
catching prowess, six-foot wingspan.

Vincenzo loved me, couldn’t stop
slamming doors, called me stronza—

asshole in English, literally turd.
And why was I so sensitive?

It’s my culture, he said. A vandal
cut the net, but were we wrong?

We cheered him on, a predator
born in captivity, learning to fly.

He lived an owl’s life for one year.
Last night he hit thick glass.

Like humans, birds collide
with what’s invisible to them.

Author

Hilary SiderisHilary Sideris is the author of the poetry collections Calliope (Broadstone Books, 2024), Liberty Laundry (Dos Madres Press, 2022), Animals in English (Dos Madres Press, 2020), The Silent B (Dos Madres Press, 2019), Un Amore Veloce (Kelsay Books, 2019), The Inclination to Make Waves (Big Wonderful LLC, 2016) and Most Likely to Die (Poets Wear Prada, 2014). Her poems have appeared in numerous journals and anthologies. She is a co-founder and curriculum developer for CUNY Start, a college preparatory program at CUNY, and a co-host of the Carmine Street Metrics reading series in NYC.

Additional information

Weight 7.2 oz
Dimensions 9 × 9 × .25 in