- Kind: Perfectbound
- Pages: 68
- Language: English
- Date Published: April, 2019
- ISBN: 978-1-948017-42-8
The poems in Tony Brewer’s Homunculus are by turns culturally critical, nimble, wily and a little dangerous in the old school punk rock sense. These are the back-alley poems, the outskirts-scholar-in-the-lab poems, the ones that hang around at the edges of the party, sometimes sneering, sometimes drinking too much (or too little), sometimes falling apart in a totally human way. Don’t try and comfort them—they don’t need you feeling sorry. They need you as a part of their community spirit—weird and dark and wiry. Think d.a. levy or Gregory Corso in the 21st century, observant, irreverent, and forthright with awe. Homunculus is wide-eyed and totally concussive, a concentrated, alchemical, poetry bomb! —Matt Hart, author of Everything Breaking for Good
Tony Brewer never stops working. He’s an artist in the better, lowfalutin sense—he works a lot, and everything feeds into the work. If “faith in feats not beliefs” is what he’s preaching here I’m dropping a few dollars in his collection basket, for Homunculus is a feat, a levelling up of his talents. Bravo! Encore! Encore! —Steve Henn, author of Indiana Noble Sad Man of the Year
This is a fantastic collection, tough and tender all at once and not falling into the trap of lingering too long in either space. Brewer is a wonderful wordsmith—sounds and textures snap vividly into place and you can hear his voice, with its wonderful grain, shining through. Not exactly bebop rhythm. Not exactly rap or slam—but something between the two, interwoven with good solid traditional lit chops. A rich, mature collection by a very talented poet.
—Joan Hawkins, co-author of William S. Burroughs Cutting Up the Century
His eyes say he was never a boy.
Father swats built confidence.
Backhanded mom for sass.
And all the bullies bigger than him.
Now he pulls down seven
figures taxed down to six.
Earned scowl gouged out of his face.
Broad shoulders chiseled from a gray suit
and blocks of flipped real estate.
Deals struck, drinks poured — boom, done.
Today, third in the first-class line
and pissed he’s not in front.
Sizing up #1 and #2.
Pretty sure he could take them
silently by smartphone and contract.
An elderly couple pre-boarding brushes
past him with their oxygen tanks.
DeKalb cap and floral muumuu.
He considers acquiring
and auctioning their every asset.
But he’s boarding now ahead of me.
The unfair world back on his side.
TONY BREWER is a poet, event producer, voice actor, and live sound effects artist from Bloomington, Indiana. He is executive director of the Spoken Word Stage at the 4th Street Arts Festival and his books include: The Great American Scapegoat (self-published, 2006), Little Glove in a Big Hand (Plan B Press, 2010), and Hot Type Cold Read (Chatter House Press, 2013). He also has work in the anthologies And Know This Place: Poetry of Indiana (Indiana Historical Society Press, 2011) and Writers Resist: Hoosier Writers Unite (Chatter House Press, 2017). Tony is literary consultant, sound effects artist, and a regular voice for Cricket’s Bone Caravan audio theatre, which has won awards from the Kansas City HEAR Now Audio Fiction and Arts Festival and the Indiana Society of Professional Journalists. He has produced and recorded for the lit programs Books Unbound and The Linen of Words on WFHB community radio, and Anthology and The Poets Weave on WFIU public radio. He was made a Kentucky Colonel in 2012 and has won numerous awards and earned national recognition for his live sound effects work. Tony has been offering Poetry On Demand at coffeehouses, museums, churches, bars, and art and music festivals for over 10 years, and he is one-third of the poetry performance group Reservoir Dogwoods. By day a mild-mannered book compositor at Indiana University Press, Tony also appears on the 2017 album Paris Suite and frequently collaborates with experimental audio collective Urban Deer.