Description
- Kind: Perfectbound
- Pages: 124
- Language: English
- Date Published: July 10, 2026
- ISBN 978-1-962847-58-2
Praise
“Solonche is productive and prolific, but that doesn’t water down his poetry… He can compress a philosophical treatise into three lines… His epigrammatic tidy poems are philosophic gems. Solonche sees humor and encapsulates it; he frames a thought in perfect verse… He’s playful and profound — the more he writes, the more he seems to know. Beneath the Solonche simplicity are significant social comments, and his goodwill reinforces the best in us.” —Grace Cavalieri, Washington Independent Review of Books
“Solonche, an accomplished poet, employs various forms in this compilation, including haiku, prose poem, and free verse. The poems often imaginatively enter into the natural or material world via anthropomorphic similes… Many works have an aphoristic quality that recall Zen koans, and they can be playfully amusing or even silly… A strong set of sympathetic but never sentimental observations.” —Kirkus Reviews
“These poem catch the reader off-guard in playful profundity. While always mindful of the tradition of poetry masquerading as direct statement (the likes of W.C. Williams, Robert Bly, Robert Creeley, and Charles Bukowski), J.R. Solonche nevertheless “makes it new,” through his masterful use of understatement, aphorism, word play, and anaphora—raising poem after insightful poem from the familiar and often overlooked “little things” of the poet’s day-to-day encounter with the world.” —Phillip Sterling
“J. R. Solonche can pack so much humor and linguistic playfulness into such tight bundles, it feels like 1,000 clowns issuing from a VW Bug. He can also fit a lot of darkness and mortality into them, which feels more like 1,000 clowns dressed like Marilyn Mason issuing from a VW Bug. Solonche can be crass the way only the truthful can be, mischievous as a child with his hands in the honey jar, or even aphoristic and proverbial like a modern day Martial. Though you never know which Solonche you’re going to encounter on the next page, he’s a great bunch of guys to get to know.” —Stephen Cramer, winner of the Louise Bogan Award and the National Poetry Series
Excerpt
ARGOS
He was the true hero of the story.
Not Odysseus. Not Penelope. And,
of course, totally unsung. He was
a good dog. Truly man’s best friend.
This man’s best friend, at least. Bred
for the hunt, known for his speed,
a proper, functional sort of canine.
But the master left for a war, a ten-
year war, and then a ten-year trip
home. Dear God, it was a long time,
especially for a dog. So Argos waited,
the sort of thing dogs do. They are
very good at waiting. Much better than
we are. He grew very old, neglected,
flea-ridden, lying on a pile of manure
by the gate, not exactly the glorious
retirement he deserved after all those
years of loyalty. Then the master comes
back, disguised as a beggar. The dog
sees him, recognizes him, wags his tail
faintly because he has no strength left.
The master can’t even stop to pet him,
or say “Good boy, Argos,” because it
would ruin the disguise and the plot
he had planned. He just wipes away
a quiet tear. And then, the dog dies.
Just like that. His purpose fulfilled.
It’s a powerful moment in literature,
a symbol of timeless fidelity and loss.
The Greeks loved their dogs, so surely
Homer could have Odysseus bury Argos
with all the honors befitting one who
was so selfless for so long. One line
would have been all he needed. Just one.
Author
Nominated for the Eric Hoffer Book Award, twice for the National Book Award and three times for the Pulitzer Prize, J.R. Solonche is the author of more than 50 books of poetry and coauthor of another. He lives in the Hudson Valley, New York.




